These articles have been published over the years in various magazines. They are electronically re-published here for further service and convenience. Some of them have been originally published in journals or catalogues which are no more available or difficult to get. The articles have been arranged chronologically, i.e. the most recent ones on top of the page.
Most of my articles are written in german language.
1 article has been translated into french language.
1 article has been translated into swedish language.
1 article has been translated into tchechoslovakian language.
1 article has been translated into croatian language.
1 article has beentranslated into norwegian language.2010
Tour for a lefthander. From: Friedemann Malsch (Hg.):The Open Mind. Celebrating 10 Years at the Kunstmuseum Liechtenstein. Benteli 2010, p. 48.
2009
A Picture is a Picture is a Picture. On the Superficiality of Painting in Barnett Newman, Andy Warhol and Christopher Wool. In: Peter Pakesch (Hg.): Warhol Wool Newman. Painting Real. Ausst. Kat. Kunsthaus Graz Universalmuseum Joanneum, 26.9.2009 – 10. Januar 2010. Köln: Verlag der Buchhandlung Walther König 2009, S. 102-112.
A Film is a Film is a Film. On the Materiality of the Early Films of Andy Warhol and Bruce Conner. In: Peter Pakesch (Hg.): Warhol Wool Newman. Painting Real. Ausst. Kat. Kunsthaus Graz Universalmuseum Joanneum, 26.9.2009 – 10. Januar 2010. Köln: Verlag der Buchhandlung Walther König 2009, S. 114 – 125.
Exclusiveness in the Spectacle Society. In: Jean-Baptiste Joly, Catherine Perret, Julia Warmers (Hrsg.): Fetisch + Konsum / Fetish + Consumption. Stuttgart: merz&solitude 2009, S. 156-168.
Uncanny Lessons. Aesthetic Conditions in the Work of Markus Schinwald . in: Ausst. Kat. Markus Schinwald. Vanishing Lessons. Kunsthaus Bregenz. Köln: Buchhandlung Walther König 2009, S. 97 - 103.
2008
A brief media history of etching. in: Ausst. Kat. inventur. Zeitgenössische Radierung in Deutschland. Kunstverein Reutlingen 01.06. – 03.08.2008 / Graphikmuseum Pablo Picasso Münster 19.06. – 06.09.2009, p. 218 – 223.
2007
Fixing the Facts. Protocolls and their Social Use; in: Hans D. Christ/Iris Dressler/Antoni Muntadas (Hg.): Muntadas - Protocolls. Ausst. Kat. Württembergischer Kunstverein Stuttgart. Köln: Verlag der Buchhandlung Walther König 2007, p. 248 -264.
The dream of an interactive artwork (html-version) . in: Tobias Hoffmann (Hg.): Die Neuen Tendenzen. The New Tendencies. Nove Tendencije. Eine europäische Künstlerbewegung 1961-1973. Ausst. Kat. Museum für Konkrete Kunst Ingolstadt, 29.9. - 7.1. 2007, Leopold-Hoesch-Museum, Düren 28.1. - 25.3.2007, p. 291 -296.
The dream of an interactive artwork (pdf-version). in: Tobias Hoffmann (Hg.): Die Neuen Tendenzen. The New Tendencies. Nove Tendencije. Eine europäische Künstlerbewegung 1961-1973. Ausst. Kat. Museum für Konkrete Kunst Ingolstadt, 29.9. - 7.1. 2007, Leopold-Hoesch-Museum, Düren 28.1. - 25.3.2007, p. 291 -296.
2006
The Embodiment of Code (english translation of the german version), in: Rudolf Frieling/ Wulf Herzogenrath (Hg.): 40Jahrevideokunst.de - Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute. Ostfildern: Hatje Cantz Verlag 2006, p. 58 -63.
2004
Artists as Curators – Curators as Artists? in: Christoph Tannert/Ute Tischler (Hg.): Men in Black, Handbook of Curatorial Practice, Frankfurt am Main: Revolver – Archiv für Aktuelle Kunst 2004, p. 125 – 127
Letting The Inner Screen Run Empty; in: Jörg Boström/ Gottfried Jäger (eds.): Can Photography Capture our Time in Images? 25 Years Bielefelder Symposia about Photography and Media 1979-2004, Bielefeld: Kerber Verlag 2004, p. 143 -146
2003
PPP: From Point to Point or from Production to Presentation to Preservation of Media Art; Key lecture for the international conference "404 Object Not Found. What remains of media art? International congress concerning the production, presentation and preservation of media art, 19 – 22 June 2003 in Dortmund; lecture in english language; published in June 2003 under http://www.404project.net/datenbank/huber_e.pdf (website no longer existing)
(download as a.pdf-file 48 kb)2002
Only!4!!!!!!!!!!!!!!!!!!!!!!4-for YOUR Private Eyes. A structural analysis of http://www.jodi.org; electronically published in February 2002 under http://www.art.net.dortmund.de/eng/per/hub_jodi/jod_hu_fr.htm (website no more existing)
About the collection, preservation and presentation of bits and bytes; electronically published in February 2002 under http://www.art.net.dortmund.de/eng/per/hu_4fr.html (website no longer existing)
2000
Urban space and the new media; lecture delivered at the XXXth International Congress of Art History, London CIHA, Section 23: Digital Art Time, 2.September 2000
The new media and urban space – Urban space and the new media; a workshop given at the Bauhaus, Dessau on 07.07. and 08.07.2000
1998
Matthias Hoch - To the Beat of the Techno-Systems. published in: exhibition catalogue Matthias Hoch - Speicher. Dogenhaus Galerie Leipzig, Goethe Institut Paris 1998/99; without pages
1997
Split Attention. Performance and Audience in the Work of Dan Graham, published in: Hans Dieter Huber (ed.): Dan Graham: Interviews. Ostfildern: Cantz Verlag 1997, p. 47-63 (translated by John S. Southard)
The Absence of the Present (or) The Visibility of the Invisible
A translation of a text written for the exhibition catalogue 'fast nichts /almost invisible', curated by Jan Winkelmann at the Kunstmuseum Singen, 1997 (previously unpublished)1995
Materiality and Selfreference in the Work of Friedemann Hahn. In: Werner Meyer (Hrsg.): Mythos und Farbe. Die Filmbilder von Friedemann Hahn, Stuttgart: Cantz Verlag 1995, p. 167 - 181 (translated by David Galloway)
Theory of Internet, 1995
It was first edited electronically as a monthly column at Athena in December 1995 by Klaus Dieter Schönfeldt and Thorsten Scheerer without asking me. Then Rudolf Schindler downloaded it from the Athena website and republished it at his own site at Freiburg. After that he informed me about doing so. I finally accepted that text as a published version although it was primarily intended only as a first draft for internal discussion.1989
The Artwork as a System and its Aesthetic Experience. Remarks on the Art of Joseph Beuys
A lecture held in New York, Tampa and Austin in September and October 1989. A German version was published in: Klaus Güthlein/ Franz Matsche (Hrsg.): BEGEGNUNGEN. Festschrift für Peter Anselm Riedl, Worms: Wernersche Verlagsgesellschaft 1993, p. 301 - 324The Concept of the Viewer in Venetian Art and Art Theory
A lecture given at the Department of Art History at The University of California at Berkeley, 5th October 1989.
