News

    Loading posts...
  • Paul Graham, a shimmer of possibility

    Materialität, Verkörperung und Affordanz bei Paul Grahams a shimmer of possibility

    A German version of the text which was originally published in March 2021 in ART STYLE. Art & Culture International Magazine, Vol. 4, Issue 7, March 2021 has now been published in the new journal Interspace. interdisciplinary magazine. architectural space as material and immaterial intersection, Vol. I, no.1, July 2021 by Hermann Engel, Münster. Download…

  • Radical self-dramatisation – The performance icon Marina Abramović

    The body became her stage. Whether she was carving a star into her belly or working her back with a whip, the Serbian performance artist is celebrated almost like a Hollywood star for her extreme explorations of body and soul. In New York’s MoMa, 700,000 people queued up to be able to look the artist…

  • Materiality, Embodiment and Affordance

    A new publication by Hans Dieter Huber: Materiality, Embodiment and Affordance in Paul Graham’s ‚a shimmer of possibility‘. In: ART STYLE. Art & Culture International Magazine, Vol. 4, Issue 7, March 2021 (Special Issue on the Material Image. Affordances as a New Approach to Visual Culture Studies), p. 135-157 In the text, the question of…

  • Non-Intentional Prints

    For the artist’s magazine Lowland, Issue #6, Autumn 2020, Hans-Dieter Huber produced three postcards of his new non-intentional prints made in Berlin, each of which was enclosed with a copy of the magazine as a random insert.

  • The Artist, the Author and Authenticity

    The text goes back to a conference at the university of Marburg in 2016 on Media Authorship. It deals with the emergence of the visual artist as an author, the changes in his economic, legal and social status by securing privileges, the predecessor of copyright, and the beginning of a collaborative and collective authorship in…

  • It’s night time in the big city. The Pictures of Goda Plaum

    The artist and image scientist Goda Plaum studied fine arts and art education at the Academy of Fine Arts in Nuremberg and philosophy at the University of Erlangen-Nuremberg. She is both an artist and a doctoral researcher. In an article for her first artist’s catalogue on the occasion of several exhibitions, Hans-Dieter Huber writes about…

  • Camille Graeser – refugee or homecomer?

    In 2015, Hans-Dieter Huber discovered a small agenda from 1933 in the archives of the Camille Graeser Archive, Zurich, in which Camille Graeser recorded his escape from Stuttgart to Switzerland. He noted the people he met in Stuttgart and Zurich, the places where he stayed and the political and economic contexts. The notebook is unique…

  • The Longing for Colour. Expressive Painting in Germany

    In his introductory text for the catalogue, Hans-Dieter Huber writes about the formation of the Brücke artists’ group in Chemnitz and Dresden, the Blue Rider in Munich, as well as those artists who survived the Second World War such as Erich Heckel, Max Pechstein or Karl Schmidt Rottluff and taught as professors at West German…

  • The What, the Why and the How of Media Conservation

    This is an article which goes back to my interests in media conservation. It was held as a public lecture in June 2018 at the MAPS Conference at the Ludwig Muzeum, Budapest. It ist now published in Art Style I Art & Culture International Magazine, Vol. 3, Issue 5, December 2019. It is here available…

  • The Study Documents of Hans Dieter Huber

    When I was researching on the Polish philosopher Roman Ingarden who studied philosophy in Freiburg with Edmund Husserl until 1918  I was surprised that Porta Polonica had published his study documents. This inspired me to do so even and also to publish my own study books. Here they are.